Process

It’s a call-and-response process of constantly assessing what’s there, to determine what to do next.

Using one of my favourite tools, a trowel, to move paint around.

 

“Keeping the work fresh & exciting keeps me wanting to get back to the studio!”

I start out by going out in nature and letting go of any preconceived ideas or attachment I might have to a particular result. I do not use a reference to paint from but rather a deep knowing of what ignites passion in me.

I work in multiples, usually a minimum of three to four paintings, depending on the size. I start on one, working on it until I get it to a place that I’m satisfied with then I move onto the next one, and so on. As Nicholas Wilton says, “It’s like raising children—you want to give them each equal attention!”

As I progress in a series of paintings, I add gloss medium between the layers as I go.

I find this motion between paintings really helps me stay excited about what’s happening on the canvas. It’s always fresh – one painting may be the product of many sessions – with each new session bringing fresh eyes and new inspiration.

I continue in this manner, becoming more and more discerning about my choices of marks, colours, strokes and texture as the paintings progress to their final completion.

This is an example of how working on a painting gets more discerning the closer to resolution it gets. I’ve sanded this piece and now have to add back the opaque shadows.